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	<title> &#187; CINE Competition</title>
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		<title>Today&#8217;s the Deadline!</title>
		<link>http://www.cine.org/blog/2010/03/15/todays-the-deadline/</link>
		<comments>http://www.cine.org/blog/2010/03/15/todays-the-deadline/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 15:08:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CINE Competition]]></category>

		<guid isPermaLink="false">http://www.cine.org/blog/?p=150</guid>
		<description><![CDATA[Today&#8217;s the day! You have until midnight to enter online, mail or fax your submissions for the Spring 2010 CINE Golden Eagle Competition. Not only could you win the award that launched the careers of Steven Spielberg and Ken Burns, but if you&#8217;re an independent filmmaker, you could win a $10,000 post-production grant from Henninger [...]]]></description>
			<content:encoded><![CDATA[<p>Today&#8217;s the day! You have until midnight to enter online, mail or fax your submissions for the Spring 2010 CINE Golden Eagle Competition. Not only could you win the award that launched the careers of Steven Spielberg and Ken Burns, but if you&#8217;re an independent filmmaker, you could win a $10,000 post-production grant from Henninger Media Services if your film is selected as the top Independent film of 2010. And if you&#8217;re a student filmmaker, you could receive a rights clearance grant and scholarship from the Chubb Group of Insurance Companies if you receive CINE&#8217;s Award of Excellence as 2010&#8217;s top student film.</p>
<p>So &#8211; do you think your film is good enough to win? Prove it! And if you&#8217;re still looking for reasons to enter, well, <a href="http://cine.org/competitions/top-10-reasons-to-enter/index.php">here are ten more for you to consider</a>.</p>
<p>Have any questions or concerns? Check out our <a href="http://cine.org/competitions/rules-and-regulations/index.php">Rules and Regulations</a> and <a href="http://cine.org/competitions/faq/index.php">Frequently Asked Questions</a> pages, or email us at info@cine.org.</p>
<p>Ready to enter? <a href="http://cine.org/competitions/entry-forms/index.php">Here are the forms</a>!</p>
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		<title>CINE&#8217;s Spring 2010 Deadline Has Been Extended</title>
		<link>http://www.cine.org/blog/2010/03/01/cines-spring-2010-deadline-has-been-extended/</link>
		<comments>http://www.cine.org/blog/2010/03/01/cines-spring-2010-deadline-has-been-extended/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 21:58:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CINE Competition]]></category>

		<guid isPermaLink="false">http://www.cine.org/blog/?p=126</guid>
		<description><![CDATA[The deadline for the Spring 2010 CINE Golden Eagle Competition has been extended to March 15, 2010. You now have two extra weeks to submit your production for consideration for the prestigious CINE Golden Eagle Award. Don&#8217;t waste them!
You can enter online through CINE.org by clicking here. Or you can enter online through Withoutabox here. [...]]]></description>
			<content:encoded><![CDATA[<p>The deadline for the Spring 2010 CINE Golden Eagle Competition has been extended to March 15, 2010. You now have <strong>two extra weeks</strong> to submit your production for consideration for the prestigious CINE Golden Eagle Award. Don&#8217;t waste them!</p>
<p>You can enter online through CINE.org by clicking <a href="https://www.cine.org/order-forms/cine/regform_1.php">here</a>. Or you can enter online through Withoutabox <a href="https://www.withoutabox.com/login/5772">here</a>. OR you can download a PDF form to fill out, and mail/fax back to CINE <a href="https://www.cine.org/order-forms/cine/PDF/EntryFormSpring2010.pdf">here</a>.</p>
<p>Questions? Email us at info@cine.org, or visit our <a href="http://cine.org/competitions/rules-and-regulations/index.php">Rules and Regulations</a> page.</p>
<p><a href="http://www.cine.org/blog/wp-content/uploads/2010/03/CallForEntries2010-extended.jpg"><img class="aligncenter size-medium wp-image-127" title="Spring 2010 Competition" src="http://www.cine.org/blog/wp-content/uploads/2010/03/CallForEntries2010-extended-300x216.jpg" alt="" width="300" height="216" /></a></p>
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		<title>The CINE Special Jury Award</title>
		<link>http://www.cine.org/blog/2010/02/04/the-cine-special-jury-award/</link>
		<comments>http://www.cine.org/blog/2010/02/04/the-cine-special-jury-award/#comments</comments>
		<pubDate>Thu, 04 Feb 2010 21:16:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CINE Competition]]></category>
		<category><![CDATA[CINE Special Jury Awards]]></category>

		<guid isPermaLink="false">http://www.cine.org/blog/?p=48</guid>
		<description><![CDATA[This week, we&#8217;ve been calling our 2010 CINE Special Jury Award winners to notify them of their win. That&#8217;s a task that never gets old, frankly. We&#8217;ll be posting the complete list of winners soon &#8211; and it&#8217;s a remarkable crop, watch as many as you possibly can &#8211; but until then, we wanted to [...]]]></description>
			<content:encoded><![CDATA[<p>This week, we&#8217;ve been calling our 2010 CINE Special Jury Award winners to notify them of their win. That&#8217;s a task that never gets old, frankly. We&#8217;ll be posting the complete list of winners soon &#8211; and it&#8217;s a remarkable crop, watch as many as you possibly can &#8211; but until then, we wanted to take a minute to explain what the Special Jury Award is, and why the recipients are so extraordinary.</p>
<p>CINE holds two competitions per year to select recipients of the CINE Golden Eagle Award. The Golden Eagle is bestowed based on the individual merits of the film, and not in competition with the other entries in its category; if a category has 100 entries, there can be 100 Golden Eagle winners or none, depending on the quality of the submissions, and to receive a Golden Eagle, a production must achieve excellence in all facets.</p>
<p>In January, CINE&#8217;s Board of Directors meets to select the best Golden Eagle Award-winning film of the previous year for each of CINE&#8217;s categories, which become the winners of the CINE Special Jury Award. From the hundreds of submissions that CINE received in 2009, these productions are the 30 (or so) best.</p>
<p>Soon we&#8217;ll post clips, pictures and links from the 2010 Special Jury Award recipients, and we look forward to hearing your thoughts about these wonderful films. If you want to see your name in those ranks, enter your production into our Spring 2010 Competition, and hopefully we&#8217;ll see you back here next year.</p>
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		<title>Entering the CINE Competition? What to do &#8211; and what NOT to do.</title>
		<link>http://www.cine.org/blog/2010/02/03/entering-the-cine-competition-what-to-do-and-what-not-to-do/</link>
		<comments>http://www.cine.org/blog/2010/02/03/entering-the-cine-competition-what-to-do-and-what-not-to-do/#comments</comments>
		<pubDate>Wed, 03 Feb 2010 18:12:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[CINE Competition]]></category>

		<guid isPermaLink="false">http://www.cine.org/blog/?p=35</guid>
		<description><![CDATA[When you submit a production to CINE, you submit a form that tells us everything we need to know about that film.  CINE juries use that information when evaluating entries, so what you put on paper should best serve what you present on screen. Here are a few tips to help you avoid the mistakes [...]]]></description>
			<content:encoded><![CDATA[<p>When you submit a production to CINE, you submit <a href="https://www.cine.org/order-forms/cine/PDF/EntryFormSpring2010.pdf">a form </a>that tells us everything we need to know about that film.  CINE juries use that information when evaluating entries, so what you put on paper should best serve what you present on screen. Here are a few tips to help you avoid the mistakes that may set your production back right out of the gate.</p>
<p>&#8220;INTENDED AUDIENCE&#8221;</p>
<p><strong>DO NOT OVERSTATE YOUR AUDIENCE</strong>.  Our juries frequently see &#8220;for a general audience,&#8221; &#8220;for all ages&#8221; or &#8220;for moviegoers from 9 to 99!&#8221; While that&#8217;s a remarkable goal, in most cases, the viewing preferences of the 9 year old and the 99 year old won&#8217;t be identical. Even a seemingly narrow audience (ie., &#8220;for grades K-6&#8243;) can in fact be too general; as any elementary school teacher can tell you, a video for a kindergarten classroom is almost never appropriate for sixth graders, and vice versa. Our jurors are always checking carefully to see if a film communicates well to its intended audience. If a production misses the mark with anyone within the stated range (and with a &#8220;general audience,&#8221; that&#8217;s virtually everyone) it will lose points &#8211; and, potentially, an award.</p>
<p>If your production is intended for 25 year old steel workers in western Pennsylvania, say so. The better the judges know your audience, the better they can evaluate how effectively your film speaks to them.</p>
<p><span id="more-35"></span></p>
<p>&#8220;PURPOSE&#8221;</p>
<p><strong>DESCRIBE YOUR GOALS FAIRLY AND ACCURATELY</strong>. In the &#8220;Purpose&#8221; portion of the entry form, we ask you to answer the question, &#8220;Why was this production made?&#8221; Was it made to teach? Entertain? Raise money or awareness? Just as you should be specific about your audience, you should be as specific as possible about why you made the film, and what you hope to accomplish. This is the place to tell the jury whatever it is that you think they absolutely, positively need to know when evaluating your film. The judges will be scoring you on how well your production met its stated goals, so be honest, be thoughtful, and be realistic.</p>
<p>&#8220;SUMMARY&#8221;</p>
<p><strong>DO NOT USE THE SUMMARY TO EXPLAIN HOW THE FILM WAS MADE. </strong>The &#8220;Summary&#8221; portion of the form should be used to describe the content of the production &#8211; ie, &#8220;This documentary tells the story of George Washington.&#8221; Don&#8217;t explain what equipment or technology you used in the production of the film; the &#8220;what&#8221; is more important than the &#8220;how.&#8221; If the technology is integral to understanding the context of the film (&#8220;this film is viewed in a multi-screen exhibit at the Museum of&#8230;&#8221;), include it in the &#8220;Purpose&#8221; &#8211; <span style="text-decoration: underline;">not</span> the &#8220;Summary.&#8221;</p>
<p><strong>KEEP IT SHORT. </strong>Both the &#8220;Summary&#8221; and &#8220;Purpose&#8221; should be about one (brief) paragraph in length. Anything longer requires editing, and if you don&#8217;t do it, we&#8217;ll have to. If you don&#8217;t want us messing with your carefully-crafted statements, be concise.</p>
<p>Do you have any other questions about the entry form or process? Let us know!</p>
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